What do you have to consider when adapting your well-established television skills to a more unfamiliar medium like LIVE, up-close theater?
What are some lessons you learned working on “The Sound Inside” that you’re looking forward to expanding on with the upcoming productions of “Ohio State Murders” and “I Hate It Here?”
You’re working closely with each director to translate their artistic visions for the camera. What’s the best part of this process?
When it comes to audience experience, what are you considering on a project like the LIVE series?